Thursday, 19 December 2013

Feedback From Hannah Firmin

I send linoprint illustrator HannahFirmin a pdf of my portfolio she said :

"Hi Vicky, just had a chance to look at your great portfolio.
I feel these pieces are very strong and individual.I really like the way you combine the linocut look with flat areas of colour ,this I think would appeal very much to art directors looking for images nowadays.
Keep on doing this great work ! But never forget that behind any technique there needs to be good drawing ,so keep on drawing ....sketch books etc.it always shows if someone has neglected this side of their work. I 'm not saying you have , and I am always saying this to students....a bit of an obsession with me.
Great stuff! Have a good Christmas and good luck in the new year.
Regards Hannah ."

Sunday, 15 December 2013

Anna Betts


I looked at illustrator Anna Betts  Linoprints for some inspiration on different ways to experiment with making my own lino prints in terms of texture, colour, line etc. I like how this print is mostly flat colour and shape based, but there is also hints of texture.














































Hope Fears and oppurtunities

My hopes for the future are to pass this course and  get a job as a freelance illustrator. My fears are failing the course and being unable to get a job as an illustrator. I also fear not being able to develop my lino prints to a higher standard. The opportunities I have to get into the illustration industry are competitions, talking to people in the industry via emails and showing people in the industry my portfolio.

Tuesday, 10 December 2013

Matthew Carey Simos

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I have looked at  artist Matthew Carey Simons  Linoprints  for some inspiration on how to improve my own linoprints for example the way I can add texture, line and colour in different ways. I like how some areas of his work are heavily textured and some aren't, this gives his work more sophistication.



Feedback from Alan Baker

I asked illustrator Alan Baker for feedback on prints that I made for my current project. He said
"I like the work a lot, the colours work well.
They would work well as large posters, or even as multiple images put together and playing with the colours in Photoshop [Andy Warhol style]
or- made up as postage stamps with the queens head and a price, they would also look brilliant reduced down to stamp size.
Your choices of limited colour works well and likewise the composition. The print making quality gives a really nice loose feel to the work.
Great stuff!"
 It was interesting to get feedback from someone working in the illustration industry.

Friday, 6 December 2013

What does illustration mean?


To me, an illustration is a piece of art which is made for a specific purpose, for example a children's book ,posters, manuals etc.. It is mainly used as a visual aid to accompany text. By pushing the boundaries of illustration, however,  illustrators can find new audiences for their work. The problem with this is that when people see an illustration separate from its original context, it becomes art instead as it has no other purpose other  than to be for viewing pleasure. As long as an illustration does serve a purpose other that to be admired by people  like a piece of art,  than  it doesn't matter what media is used to create it.  Illustrations help people understand what something is about- they are particularly useful for someone who can't read because pictures can more easily sum up what words may not.  In terms of my own illustrations, I need to experiment more with possible outcomes and planning in general.


 
 

Website Research Post

I have investigated a variety of illustrators websites.



The first website I have looked at is  printmaker  Hannah Firmin's.  The website is easy to navigate with  several links down the right hand side.  The main page is simplistic looking, with a plain white background and a summary of how she creates her artwork and examples of her work.


The next webite I looked at was illustrator Martin Haake's. Like Firmin's it also has a plain background,  however, on the main page it has news and his recent work. Design wise,  this website looks more like that of an illustrators because of the style of the text in the navigation bar at the top, also when you hover over each link, there is a small illustration relating to it.

I then looked at illustrator  Henning Wagenbreth's website. The main page of this website is more busy in terms of the amount of images on it,  there is also a journal on it. The navigation links are at the top of the page.

The next illustrator's website I looked at was Matthew Carey Simos'. On his website the navigation bar is  on   the left with an image on the front page. He  also has a logo above the navigation bar.The website is very ima g aEbased, there is very little text.
I would like my own website to  intrigue the viewer , so I would want the general design of the website to  reflect my way of working and at the same time be easy to navigate and have a good balance of text/ images of my work.


Wednesday, 4 December 2013

Final Prints



 
 
 
Here are the final prints I made for this project, the  process involved drawing the design onto the piece of lino, then cutting out the pieces of the design which I wanted to leave white , the printing the first colour which had to be the lightest in order for the subsequent colours to print out best.  After printing the first colour, for example the yellow on the print of the king , I then cut out that part of the design to keep that colour when I printed another colour onto the print.  I printed several prints of the first colour so that if I could afford to make mistakes- i.e if I failed at lining up the lino with the new colour with the old colour. 

Dwelle Lecture

Yesterday I went to a Lecture by Rik Frankland, who is the founder of a  company called Dwelle. He is an architect,  eco-building manufacturer and urban designer.  Dwelle did a project called 'Ugly House' where they questioned  what a house should look like. They teamed up student to make good, bag and ugly small ceramic  houses and then asked people to vote which house they thought was the nicest. Dwelle have also worked on a variety of school projects and built a building for First Direct Grand Village. Rik talked about two  quotes that were important to him "Making a different mistake everyday is not only acceptable it is the definition of progress" Robert Burgess and " I hear and I forget, I see and I remember, I do and I understand" Confucius.  He then talked about what makes a Dwelle.ing - They are timber-frame buildings which are primarily homes that are personalised to meet different tasks.  Dwelle.ings have a simplistic system, they are very green and therefore as sustainable as possible. They are highly insulated (sheepwool or recycled newspaper), air tight with heat-recovered ventillation and have high quality LED lighting throughout. Rik said that Dwelle thought it was important to listen  and then spoke about the health benefits of a dwelle.ing  such as the excellent hygrothermal conditions (temperature and humidity), good air quality(air tight but well - ventilated), they are made from materials that don't  "off - gas" (no or minimal VOC emissions) and controlled ionisation of the air (reduces asthma triggers etc). Other positive attributes of dwelle.ings were: a minimum 60-year lifespan, they are mortgageable, they have a structural warranty, there is a wide range of options, they have brick cladding, zinc cladding, rainwater harvesting, a PCM board, triple glazing, a wood-burning stove  and a variety of kitchen options.They are low energy,comfortable, affordable and low- carbon. Rik showed a video about the positives of wood as a building material. He  then spoke about Dwelle making an exhibition home which is being sponsored by HomeBase  and an Eco- Home demonstration  project exhibition.  It was interesting to learn about an architect's life and how he worked he worked his way up from being a student.

Friday, 15 November 2013

King, Queen, Baby

I made separate lino prints of the King, Queen and the baby characters from 'Sleeping Handsome' instead of just a single printed scene with them all on.  This time around I have experimented more with the use of contrast and different types of mark making. 

Sunday, 10 November 2013

Improvements

I decided to carry on with my last project. Originally, the  prints were  just line based, so I added more contrast in certain areas. I have also played around more with texture, using different Lino tools to create a variety of effects.






Thursday, 31 October 2013

Design Manchester 2013

Today I went to the design Manchester conference 2013 at the town hall,  the theme was "longevity."
The first speaker was Andrew Shoben who was the founder of a design company called Greyworld.
 He said that he was a designer of public spaces. In 2004 he launched  "The Source." He is a professor of public art at Goldsmiths. His work is about taking urban space and look for ways to create momentary creativity.  Shoben's early work was centred around music. He said he tries to find ways to break down the gulf.  One of his projects was called "The Clockwork Forest (2011)"  where his team placed giant keys in a forest and described it as a space of fairy tales.  Shoben said Greyworld were constantly looking for interactive strategies.  Another of their projects was "Flower Box (2012)", where a box began to blossom with flowers. It was important that people had the choice to interact or not interact , that there was a sense of openness. "The layer", also a Greyworld project, made sounds of nature as you walked along a bridge. Their aim was to draw cause and effect together and their audience was everyone. Shoben believes what you find in urban spaces to be appropriate.
Their project  "Bins and Benches" was described as a monument to the unknown artist.
The next speakers were  Nat Hunter and Mark Shayler.  Their most famous project was "The  Great Recovery."  Mark Shayler said he was a the founder of a company called Airside and how he believed "Three  trees don't make a forest" and  that they were trying to find ways that design can make peoples lives interesting.   He talked about RSA animate and the talks and events then ran and sid he believed in the recognition of great achievement.  Shayler then went back to talking about "The Great Recovery" and that longevity linked in with it and that 90% of consumer goods end up in landfills in 6 months -this is the opposite of longevity.  He works in Eco Design and is obsessed with how long things last and that eco design is about environmental impact and solutions to make things last longer and how design can be used to make things better. He believes that design is like a super power- it can be used for good or evil. Shayler said that the product needs to be green, brilliant and cost effective.  He then talked about the way we use digital devices and that we need to recover value as we just let things slip through our fingers.  Shayler then said that it is important that we get long use out of our technology. Next he talked about tantalum capacitors - they hold a lot of energy and are in most devices.  He talked about the supply chain of materials and that we need to manufacture in the UK again because the market is bigger somewhere else.  Nat Hunter said that she tries to take people out of their normal working environment and that you need to think about lifecycles when you design anything and that LEDs are a good example of lifecycle energy. She talked about The Agency of Design and that their new project was  about peoples relationships with objects and created something called the makehub. The next speaker was Kate Moross, a graphic artist, filmmaker, art director. She said she had a fascination with 3 sided shapes and typography. She has a studio called studio Morross since 2012. She described her self as a   Jack of all trades and she believes in that its not what you say you do but what you actually do. talked about the importance of visualising and creating what she has in her head and heart. talked about the fear  that we have to be good at everything to compete.  'be active' 'the future is multidisciplinary' talked about the importance of myspace- create oppurtunities to interact with other people. she started doing logos.  find a way of getting  paid,  find a way to keep your work going. 2007 started isomorph records.  was a vj for  bands for a while- visual journalist,  good at making music look good,  no longevity as a freelance illustrator, don't be afraid to make mistakes, they are very important  as a creative, learn how to do something if you don't know how, connect with people.
The Colophon Foundry- the Entente, Independent, platform for font, design by themselves, make products, digital type foundry, operate mainly as a design studio, tasks are split, use live/commercial projectsas a testing ground. Do things the hard way, remain, automonous, curate an aesthetic via colophon, collaborate with contributors, they are not a reseller, keep prices affordable, we do not design to predict trends (manifesto), design for themselves, bespoke typeface called relative - playing  with scale, how something can be used in a limited space, apercu. The last speaker was Mark Farrow. He was a designer for factory records. He was interested in record sleeves in his youth. formed alliances through working at record stores - Stockholm monsters - did their cover, dis flyers before hand , moved to studio in London, pet shop boys in album sleeves

Wednesday, 30 October 2013

8x 8

Today I went to the 8 x8 book event. I was asked a question by one of the writers of the stories featured it it.

Friday, 11 October 2013

Hopes, Fears and oppurtunities

Hopes: pass the course, get a job
Fears: failure, unable to get a job, portfolio showing
Oppurtunities: Competitions, interviews

Wednesday, 9 October 2013

Sunday, 6 October 2013

Sunday, 29 September 2013

Sleeping handsome drawings/ research

Here are some drawings of characters/ objects I drew as ideas for the project and some research I collected.

Sunday, 22 September 2013

Sleeping Handsome Storyboard

I decided that I would base my project on sleeping beauty but in a role reversal so it would be a prince that fell asleep instead of a princess and the princess would rescue him.

Sunday, 15 September 2013

Self Directed Project


First I read Marina Warner's 'No Go the Bogeyman'. From this I collected research images of monsters mentioned in this book. I then decided to focus on the idea of Gender Roles in fairytales. This was an aspect of Marina Warner's 'No Go the Bogeyman' that I picked up on.

Saturday, 25 May 2013

No go the bogeyman

The book starts with the Orphic myth story of the birth of dionysus, god of wine, pleasure and excess.  The writer then talks about what the book is about- fear and the book being a collection of stories about the bogeys. It is split into 3 parts: Scaring, Lulling and Making Mock. In Scaring, the writer talks about a poem written in Germany in 1782  by Goethe  about the Erlking / King of the Alders  who tries to convince a boy to come with him and after the boy refuses he ends up dead. The author talks about how the poem personifies death as a danger particularly to the young and stories inspired by the poem. She talks about similar monsters- child-snatchers , night-raiders and cradle snatchers. Other creatures she mentions are the Italian manducus and Dossenus, the Russian bannik and his wife bannikha, phantoms, witches, hobgoblins, bogeys, elves, ogres, cyclops  and  giants. The author also mentions fairy tales such as Hansel and Gretel and the puppet show Punch and Judy. She also talks about greek mythology figures such as Zeus and Hera , the Egyptian dwarf god Bes and the story of the pied piper. Next she talks about child-guzzlers/frighteners, Bullebak and some French fairy tales
- tom thumb and bluebeard, Wee willie Winkie and The Sandman and Bogeys around the world.  The author then talks about more fantasy tales with creatures such as Lewis Carols jabberwocky and Lycaon the first werewolf and his relation to Greek mythology. Next she talks about the story of Little Red Riding Hood  and the different versions of the story including one where the wolf wins and children enjoy. She also talks about Goya's "Here Comes the Bogeyman" and "Disparate"which features a creature called the Bobalicon and some of his other fantasy paintings. After this she talks about the origins of the word "Bogy" and stories which bogeys are featured and some other fairy stories. The next chapter of the first part of the book is about Saturn devouring his child. The author talks about Goya's paintings of this cannibal God. In the next chapter she talks about Roman and Greek gods.  The next few chapters are about Greek mythology in particular about Cyclops and Scylla a female monster with 6 heads and twelve feet and the odyssey.In the next chapter she talks about ogres, giants and the size of monsters. In the next couple of chapters she talks about monsters and religion. In the next chapter she talks about eating and monsters. In the next chapter she talks about how fear is applied, this is the last chapter of s caring. Lulling only has a few chapters. It starts with  Caravaggio: the rest on the flight into Egypt. Making mock starts with talking about the chimera, medusa,athena, kali, animalistic nature of humans, echidna, typho,scylla, greek hybrids, Pegasus,  hydra, sphinx, dragons. In the next chapter she talks about the two meanings of funny,  Quentin tarantino films, r.l stines goosebumps, Quasimodo, the grotesque, different genres of fantasy and monsters and their roles in entertainment such as books or movies.   in the next chapter she talks about metamorphosis. in the next chapter she talks about gryllus- a pig like creature and song and mythology. She talks about ogres and giants in the next chapter, jack and the beanstalk, puss in boots, the bfg, king kong  etc . in the next chapter she talks about humour.
  

Sunday, 19 May 2013

Summer Project

Marina Warner  - No go the bogeyman - Scaring, Lulling and making mock

Friday, 3 May 2013

Discussion forum - Taste

We had a discussion forum on the subject of taste and a number of questions were raised.

The first question was "How much as students are you influenced  by tutors and peers  in terms of taste?"
In terms of what artists/ illustrators to look at for inspiration I would say a lot - if they recommended something than I would take a look.

The next questions were : Do you produce work to please? For me the answer to this is yes, it is more important to please other people with my work than it is myself.
Do the projects affect the way your work looks?
Only in terms of colour  for example if  we were given a limited colour palette or if we are given a target audience.
Do the projects stunt or extend your development as a designer / illustrator?
I think they extend them - if I am given limitations will have to think more carefully about certain aspects of my work.


The question after these was : Are blogs such as "Its Nice That" and "Ffffound" genuine artibers of taste ? If so what gives them authority? http://www.itsnicethat.com/
Yes because it is professional budding illustrators will want to look at the illustrators work they show so they can develop their work so that they can become a professional


Should we take much notice of the work of others?
Yes as they can help us develop a style  and encourage us to experiment.

Is there a danger of becoming too influenced in current trends?
Yes this could stop work from becoming unique.

In a world saturated by images is it possible to be unique?
Naturally no two artists draw the same so as long as you don't let things influence you to much then your uniqueness will show

What defines our taste?
Tastes are personal to each individual - they make us unique, if every one liked the same thing there would be no debates or change, there would be no diversity.








Creative Review : Film - Pulp Fiction

For my creative film review I did "Pulp Fiction". I like how the film shows people's      different perspectives on life and isn't in chronological order. Because of this the characters  are very memorable. The film is extremely violent yet there is a sense of humour about it in a black comedy type of way.  I also like the music of the film which is a mix of rock n roll, spaghetti western and pop music which fits the diversity of the film.



Creative Review : Book - Watchmen

For my creative book review I did the graphic novel "Watchmen". I like how each character is unique and has their own distinctive personality and that there is no main character of the book. The art style and colour scheme are also unusual  for its time.  It has dark themes which question people's morality, all of the characters are shown to be flawed  even the most good natured ones. All the characters also have contrasting lifestyles.  




Creative Review : Article - The Everyday Sexism Project


For my creative article review I did an article called "The Everyday Sexism Project".


       http://www.guardian.co.uk/lifeandstyle/the-womens-blog-with-jane-martinson/201
The article was about how the project was doing after being set up a year ago. I picked this article to talk about as I am a feminist and after reading some of the stories  I found out sexism against women was even worse than I thought.  


      "You experience sexism because women are inferior in every single way to men. The only reason you have been put on this planet is so we can fuck you." This quote is an example of how prevalent sexism still is in society. I feel that it is an issue which people often look past because of more prominent issues such as war.  A positive outcome of the project is that thousands of women have found the strength to fight back.